On any given day you can find a huge range of rare, exotic and just plain fascinating collectibles at Charing Cross market, including (but most certainly not limited to!): Autograph books, Beermats, Coins, Diecast toys, Ecu coins, Fulham programmes, Georgian cutlery, Handwritten diaries, Iron cross medals, Javanese stamps, Katanga crosses, Letters beautifully written by people long dead, Military dispatches, Newspapers, Old postcards, Penny blacks, Qintar coins, Regimental badges, Silver sixpences, Traders (with centuries of knowledge between them!), Unfeasibly large and friendly market dog: Dougal (not for sale), Victoriana of all kinds, Wedgewood pottery, Xiangqi chess set, Yearbooks of the past and ‘Zeppelin’ stamps. Who needs Amazon?
Collecting is a broad church. While most people immediately think of traditional fields like stamps and coins, there are many other areas of cultural history which hold their own unique fascination. One such is a sub-branch of ephemera with the grand title of tegestology. Even if you knew that ‘teges’ is Latin for ‘mat’ or ‘covering’, you’d be hard pressed to work out that this was the name for collecting beer mats.
Although we now only see their purpose as a decorative way of keeping tables clean, their original purpose (in eighteenth century Germany) was for placing over the tankard to prevent insects or debris falling in. Cheap printing methods soon allowed their value as a marketing tool to open up a whole new world of colour and creativity as brewers fashioned increasingly impressive ways of influencing people’s drinking habits.
As a general rule, older mats tend to be more valuable than those mass produced by the brewing giants of the last fifty years but condition and the size of the print run also play a part. The rise of micro-breweries in recent years also means that there is now a huge variety of mats in existence and this is one of the most accessible fields of collecting around. At Charing Cross Market the man to see is ephemera specialist, John Barrett, who usually has some older mats available to start you off.
The world’s biggest collector has amassed over 152,000 so you may have some way to go before being considered a leading tegestologist but the fieldwork is sure to be enjoyable.
The biannual major stamp fair that is StampEx will be held online this Autumn. It’s a great way to take part in Britain’s biggest philately event without the expense or inconvenience of having to travel and you can drop in on any of the ten virtual talks which take place over the festival’s three days of events (1st to 3rd October). As their website puts it, “This is Stampex but not as you know it. Grab a cup of tea and get comfy as you connect with friends and enjoy a ‘day out’ from the comfort of your own home.”
Some of the world’s best philatelic collections will be displayed courtesy of The Museum of Philately and Karl Louis will be involved, asking you to send in stamps for him to review and advise on their provenance. Younger collectors are catered for in the Stamp Active section with lots of engaging activities for them to get involved with. There’s genuinely something for everyone so head over to https://stampex.vfairs.com/ to register. It’s free. You just sign up with your email address then login to attend.
Of course, our traders will be on hand as ever this Saturday and every Saturday at Charing Cross Collectors Market to advise and show off their finds so you can still get the excitement of face-to-face stamp collecting along with all the online action from Stampex over the following few days.
Obvious to any amateur coin collector perhaps but in our blog we are always trying to demystify things for the complete beginner or anyone with an enquiring mind.
Until the seventeenth century the bulk of England’s coins were made by hammering a blank piece of metal (composed of just the right quantity of silver) on a die. This provided a reasonably consistent way of according value to the coin.
However, as these coins passed into circulation, there were two ways of profiting from them illegally. One was to ‘sweat’ them in a bag. A large number of coins would be repeatedly shaken until bits fell of them – small gains perhaps but obviously quite hard to detect.
A much more common method was to ‘clip’ the coin by shaving off a small amount of the metal to sell on later while still passing it on at face value. Repeated clipping resulted in some ridiculously small versions of the original coin and wreaked havoc in the marketplace. Even though debasing the currency in this way was punished severely, it remained widespread for hundreds of years.
This all changed when Sir Isaac Newton accepted the position of Warden of the Mint in 1696. In two years he oversaw a recall of all clipped or badly worn coins and they were replaced with a new design with milled edges, making them all but impossible to forge. Nowadays the milled edge remains only as a symbolic nod to his innovation since modern flat coins are made from base metal. Even so, the pound coin bears the added fluorish of an explanatory inscription around its edge: ‘Decus Et Tutamen’ (‘an ornament and a safeguard’).